{"title":"Abigail Susik","description":"Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945 (2021)","products":[{"product_id":"surrealist-sabotage-and-the-war-on-work-paperback","title":"Surrealist Sabotage and the War on Work - Paperback","description":"\u003cp\u003eIn Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement's ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism's transatlantic war on work, Susik analyses how artworks and texts by Man Ray, André Breton, Simone Breton, André Thirion, Óscar Domínguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism's profound relevance for readers engaged in ongoing debates about gendered labour and the wage gap, endemic over-work and exploitation, and the vicissitudes of knowledge work and the gig economy, Surrealist sabotage and the war on work reveals that surrealism's creative work refusal retains immense relevance in our wired world.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e'This original and enthralling work is not only indispensable for understanding the political and revolutionary core of surrealism but for rethinking strategies of resistance and creation in the present.'\u003cbr\u003e \u003cb\u003eJonathan Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e 'Susik's brilliant account of surrealism's sustained aesthetic subversion and outright attack on compulsive wage labour and its genealogy in the late nineteenth century radically reorients our understanding of this influential international movement.'\u003cbr\u003e \u003cb\u003eAndreas A. Huyssen, Villard Professor of German and Comparative Literature, Columbia University\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e 'Susik's deeply impressive investigative scope yields new interpretations of a wide range of work-resistant, pleasure-principled, anarcho-Freudian forays into poetry, painting, photography, and sculpture.'\u003cbr\u003e\u003cb\u003eGavin Parkinson, Senior Lecturer in European Modernism at The Courtauld Institute of Art\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eSurrealist sabotage and the war on work\u003c\/i\u003e, art historian Abigail Susik uncovers the expansive parameters of surrealism's aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism's transatlantic war on work, Susik analyses how artworks and texts by Man Ray, Andr? Breton, Simone Breton, Andr? Thirion, ?scar Dom?nguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism's profound relevance for readers engaged in ongoing debates about gendered work, endemic exploitation, and precarious labour, this study reveals that surrealism's creative work refusal retains immense relevance in our wired world.","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":50624150601951,"sku":"9781526169501","price":63.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0813\/8958\/4607\/files\/aXhPXTorzc9781526169501.webp?v=1785578437"}],"url":"https:\/\/blackandbarhe.com\/collections\/abigail-susik.oembed","provider":"Black \u0026 Barhe Bookstore","version":"1.0","type":"link"}