15 Sinfonias for String Trio by J.S. Bach (Cello): Cello

15 Sinfonias for String Trio by J.S. Bach (Cello): Cello - Paperback

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15 Sinfonias for String Trio by J.S. Bach (Cello): Cello

15 Sinfonias for String Trio by J.S. Bach (Cello): Cello - Paperback

$12.08
Sale price  $12.08 Regular price 

Book Overview

CELLO PART. VOLUME 4 OF 4. Bach wrote in the preface to the Sinfonias that we should work above all to "achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition." It's this endeavor to achieve a singing style that gave me the idea to transcribe these little gems, part of the pianist's catechism, for "singing" instruments-that and my desire to have more repertoire to play as a cellist in a string trio. Often referred to as three-part inventions, Bach's Sinfonias (Sinfonien) reflect the master's continuing concern for the complete education of musicians. They were indeed conceived originally for keyboard-and are rather more difficult to play than the two-part Inventions-but as always in Bach's keyboard works, their probative value reaches far beyond the mere pressing down of keys in the proper order. Bach sought to teach the complete musician in his Clavier bung, of which the Sinfonias are a part. bung is translated for our purposes not just as practice in the general sense of learning keyboard technique. It also means emersion in the professional essence of the art, as in the practice of medicine or law. These pieces are about learning composition and style, and, in short, how to bring music to life.

ISBN9781514805534
Author Neil Stannard
PublisherCreatespace Independent Publishing Platform
GenreYoung adult
FormatPaperback
PublishedJuly 2015
LanguageENG- English
Pages26
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Neil Stannard

Unlike life, playing the piano is easy and doesn't hurt. This mantra has carried Neil Stannard through what might seem to others like several lifetimes-performing as a collaborative pianist, soloist, symphony bassist and, through it all, a dedicated teacher. He took part in the first Taubman Institute at Rensselaerville, NY, and though he does not represent the Institute, he has participated in many more at Amherst, studying privately in New York with Edna Golandsky for many years. He has performed internationally with such artists as David Shifrin, Hermann Baumann, Leona Mitchell, Eugenia Zukerman, Clamma Dale and Christiane Edinger in venues from London to Moscow, including Carnegie Hall, the Kennedy Center, the White house, Vienna's Muiskverein, Berlin's Hocshschule and Tchaikovsky Hall in Moscow. He has taken part in the Great Performers at Lincoln Center series, the Berlin Festival, the Vienna Festival, Tage Neue Musik, Marlboro and the New Port Festival. And yes, he has taught continuously through all that. After graduating cum laude from the University of Southern California, a scholarship student of Muriel Kerr, John Crown and Jacob Gimpel, he received a Naumberg scholarship for double bass to the Juilliard School (MS), during which time he performed in the American Symphony with Leopold Stokowski and in the Marlboro Festival Orchestra with Pablo Casals (Columbia Records). It was during this time that he made his New York recital debut at Carnegie Recital Hall as a pianist with violinist Christiane Edinger. Later, he studied piano on a German government grant with Gerhard Puchelt in Berlin, completed a doctorate in piano at the University of Arizona with Nicholas Zumbro and for 13 years taught graduate and under graduate piano at the University of Texas at El Paso, where he was a tenured professor. He now lives and teaches in Los Angeles, where he writes, paints, captures life in photos, plays the cello and, oh yes, still plays the piano with abandon.

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