Beethoven: Symphony No. 9

Beethoven: Symphony No. 9 - Paperback

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Sale price  $21.60 Regular price 
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Beethoven: Symphony No. 9

Beethoven: Symphony No. 9 - Paperback

$21.60
Sale price  $21.60 Regular price 

Book Overview

Beethoven's Ninth Symphony is acknowledged as one of the supreme masterpieces of the Western tradition. More than any other musical work it has become an international symbol of unity and affirmation. Yet early critics rejected it as cryptic and eccentric, the product of a deaf and aging composer. Nicholas Cook's guide charts the dramatic transformation in the reception of this work. The story begins in Vienna, with the responses of listeners at the first performance, and ends in contemporary China and Japan, where the symphony has acquired diametrically opposed interpretations. The account embraces many of the major figures of nineteenth- and twentieth-century music, among them Wagner and Schenker. Including an account of the sketches, an examination of the performance tradition, and a suggested new interpretation, this book opens up new dimensions in our understanding of Beethoven's last symphony.

Back Jacket

Beethoven's Ninth Symphony is acknowledged as one of the supreme masterpieces of the Western tradition. More than any other musical work it has become an international symbol of unity and affirmation. Yet early critics rejected it as cryptic and eccentric, the product of a deaf and ageing composer.

ISBN9780521399241
Author Nicholas Cook , Cook Nicholas
PublisherCambridge University Press
GenreYoung adult
FormatPaperback
PublishedJune 1993
LanguageENG- English
Pages144
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Nicholas Cook

Nicholas Cook, 1684 Professor of Music Emeritus, University of Cambridge Nicholas Cook is Emeritus Professor of Music at the University of Cambridge. He has published widely across many fields of music studies; his book The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna (2007) won the SMT's Wallace Berry Award, while his most recent book is Music as Creative Practice (2018). Director of the AHRC Research Centre for the History and Analysis of Music (CHARM) from 2004-9, he was elected Fellow of the British Academy in 2001 and holds a Doctorate of Humane Letters from the University of Chicago.

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