Collected Fiction Volume 3: 1911-1937

Collected Fiction Volume 3: 1911-1937 - Paperback

$36.00
Sale price  $36.00 Regular price 
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Collected Fiction Volume 3: 1911-1937

Collected Fiction Volume 3: 1911-1937 - Paperback

by Arthur Machen
$36.00
Sale price  $36.00 Regular price 

Book Overview

by Arthur Machen (Author), S. T. Joshi (Editor)

This third volume of Machen's collected fiction begins with a tale, "The Thousand and One Nights," that has never before been reprinted. It continues with a succession of tales that Machen wrote during and just after World War I, a cataclysm that shook Europe to its foundations. The most famous of these is "The Bowmen" (1914), a narrative of medieval soldiers coming to the rescue of besieged British infantrymen in France was widely believed to be a true account, in spite of Machen's repeated protestations to the contrary. Machen's final war tale, the short novel The Terror (1916), is an imperishable depiction of the revolt of animals against humanity's rulership of the earth.

In the 1920s Machen resorted to humor and satire to convey his dissatisfaction with the increasing secularization of his era, which he felt was robbing the imagination of wonder and mystery. He also began contributing to anthologies of original weird fiction edited by Cynthia Asquith and others, producing several memorable tales as a result, including "The Happy Children" and "The Islington Mystery."

Machen's final novel, The Green Round (1933), is a subtle tale of supernatural menace, narrated in the blandly repertorial prose that Machen had developed in his later work. He then published two final volumes of weird tales, The Cosy Room and The Children of the Pool (both 1936), which contain many memorable tales, including "The Bright Boy" and "N."

Machen's collected fiction is a monument to the author's fifty years of rumination about human life and the obscure mysteries that may lurk hidden in far-away corners of the earth--and in our imaginations. They are filled with an intensity and sincerity of expression testifying to their author's earnest philosophical and religious beliefs, and they are written in some of the most mellifluous prose of their time.

The edition has been prepared by S. T. Joshi, a leading authority on weird fiction and the author of The Weird Tale (1990) and Unutterable Horror: A History of Supernatural Fiction (2012). Joshi has prepared textually corrected editions of the work of H. P. Lovecraft, Ambrose Bierce, and many other weird writers.

Number of Pages: 560
Dimensions: 1.14 x 9 x 6 IN
Publication Date: August 07, 2019
ISBN9781614982500
Author Arthur Machen
PublisherHippocampus Press
GenreLiterature
FormatPaperback
PublishedAugust 2019
LanguageENG- English
Pages560
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Arthur Machen

Arthur Machen is a significant figure in supernatural literature of the late-nineteenth and early-twentieth centuries. His work, which mixes Gothic horror with fin-de-siecle mysticism, has influenced writers and film-makers (notably H. P. Lovecraft, Jorge Luis Borges, Stephen King, and Alan Moore). From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Aaron Worth is Associate Professor of Rhetoric at Boston University, having previously taught courses in English and American literature at Brandeis University. His book Imperial Media: Colonial and Information Systems in the British Literary Imagination, 1857-1918 was published by Ohio State UP in 2014 (reviewed in TLS and widely in scholarly journals; paperback edition in 2016). He has published essays on Victorian literature and culture in leading journals including Victorian Studies, Victorian Literature and Culture, and Victorian Poetry, as well as original horror fiction in magazines including Cemetery Dance and Aliterate. Worth is the author of the entry on Horror Fiction in the recent Blackwell's Encyclopedia of Victorian Literature (2015).

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