Glitch Theory: Art and Semiotics

Glitch Theory: Art and Semiotics - Paperback

$32.40
Sale price  $32.40 Regular price 
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Glitch Theory: Art and Semiotics

Glitch Theory: Art and Semiotics - Paperback

by Michael Betancourt
$32.40
Sale price  $32.40 Regular price 

Book Overview

What do glitches reveal about the normally invisible processes behind our interpretations?

Glitches and Glitch Art illuminate the unseen assumptions, ideology of dialectical thinking, and role of established knowledge that shapes as well as determines our engagement with the world. Betancourt builds on the role of perception in guiding these interpretations to explore the possibilities offered by glitches for addressing digital media. Not confined to esoteric questions of semiosis, this study presents an expansive model of ambivalence and ambiguity whose ramifications address how initial assumptions and beliefs create meaning.

Tracking glitches across technical media old and new, and moving from early abstraction's attempts to visualize a transcendental spiritualism through to contemporary AI generated art and media, Betancourt describes how glitches are not just technical failures but products of the instabilities between human interpretations and autonomous machinic operations that create a 'discursive aesthetic' guided by cultural fantasies of digital media's immateriality that idealize it as a perfect, transcendent form.

A journey to the roots of meaning itself, Betancourt offers a paradigm that unpacks how engaging the glitch can become a critical model not only for artists, critics, and academics, but for anyone interested in Contemporary Art, tactical media, and cultural activism.

all illustrations in full color

ISBN9780979321559
Author Michael Betancourt
PublisherIm Pressd
GenreArts, Literature, and History
FormatPaperback
PublishedNovember 2023
LanguageENG- English
Pages192
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Michael Betancourt

Michael Betancourt is an artist/theorist concerned with digital technology and capitalist ideology. His writing has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and been published in magazines such as The Atlantic, Make Magazine, Millennium Film Journal, Leonardo, Semiotica, and CTheory. He wrote The ____________ Manifesto, and other books such as The Critique of Digital Capitalism, The History of Motion Graphics, Semiotics and Title Sequences, Synchronization and Title Sequences, Glitch Art in Theory and Practice, and Beyond Spatial Montage: Windowing. These publications complement his movies, which have screened internationally at the Black Maria Film Festival, Art Basel Miami Beach, Contemporary Art Ruhr, Athens Video Art Festival, Festival des Cinemas Differents de Paris, Anthology Film Archives, Millennium Film Workshop, the San Francisco Cinematheque's Crossroads, and Experiments in Cinema, among many others.

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