Hieroglyphics; a note upon ecstasy in literature. By: Arthur Machen: Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of

Hieroglyphics; a note upon ecstasy in literature. By: Arthur Machen: Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of - Paperback

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Hieroglyphics; a note upon ecstasy in literature. By: Arthur Machen: Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of

Hieroglyphics; a note upon ecstasy in literature. By: Arthur Machen: Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of - Paperback

by Arthur Machen
$11.95
Sale price  $11.95 Regular price 

Book Overview

by Arthur Machen (Author)

Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name. Local historian and folklorist Fred Hando traces Machen's interest in the occult to a volume of Household Words in his father's Rectory library, in which he read, at the age of eight, an entrancing article on alchemy. Hando recounts Machen's other early reading: He bought De Quincey's Confessions of an English Opium Eater at Pontypool Road Railway Station, The Arabian Nights at Hereford Railway Station, and borrowed Don Quixote from Mrs. Gwyn, of Llanfrechfa Rectory. In his father's library he found also the Waverley Novels, a three-volume edition of the Glossary of Gothic Architecture, and an early volume of Tennyson At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London..................

Number of Pages: 68
Dimensions: 0.14 x 11 x 8.5 IN
Publication Date: February 08, 2018
ISBN9781985189317
Author Arthur Machen
PublisherCreatespace Independent Publishing Platform
GenreLiterature
FormatPaperback
PublishedFebruary 2018
LanguageENG- English
Pages68
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Arthur Machen

Arthur Machen is a significant figure in supernatural literature of the late-nineteenth and early-twentieth centuries. His work, which mixes Gothic horror with fin-de-siecle mysticism, has influenced writers and film-makers (notably H. P. Lovecraft, Jorge Luis Borges, Stephen King, and Alan Moore). From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Aaron Worth is Associate Professor of Rhetoric at Boston University, having previously taught courses in English and American literature at Brandeis University. His book Imperial Media: Colonial and Information Systems in the British Literary Imagination, 1857-1918 was published by Ohio State UP in 2014 (reviewed in TLS and widely in scholarly journals; paperback edition in 2016). He has published essays on Victorian literature and culture in leading journals including Victorian Studies, Victorian Literature and Culture, and Victorian Poetry, as well as original horror fiction in magazines including Cemetery Dance and Aliterate. Worth is the author of the entry on Horror Fiction in the recent Blackwell's Encyclopedia of Victorian Literature (2015).

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