Maybe the People Would Be the Times

Maybe the People Would Be the Times - Paperback

$22.95
Sale price  $22.95 Regular price 
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Maybe the People Would Be the Times

Maybe the People Would Be the Times - Paperback

$22.95
Sale price  $22.95 Regular price 

Book Overview

In his second collection (after Kill All Your Darlings, 2007), Luc Sante pays homage to Patti Smith, Rene Ricard, and Georges Simenon; traces the history of tabloids; surveys the landscape that gave birth to the Beastie Boys; explores the back alleys of vernacular photography; sounds a threnody for the forgotten dead of New York City.

The glue holding the collection together is autobiography. Every item carries deep personal significance, and most are rooted in lived experience, in particular Sante's youth on the Lower East Side of New York in the fertile 1970s and '80s. He traces his deep engagement with music, his experience of the city, his progression as an artist and observer, his love life and ambitions. Maybe the People Would Be the Times is organized as a series of sequences, in which one piece leads into the next. Memoir flows into essay, fiction into critical writing, humor into poetry, the pieces answering and echoing one another, examining subjects from multiple vantages. The collection shows Sante at his most lyrical, impassioned, and imaginative, a writer for whom every assignment brings the challenge of inventing a new form.

ISBN9781891241574
Author Lucy Sante
PublisherVerse Chorus Press
GenreBiography and Arts
FormatPaperback
PublishedSeptember 2020
LanguageENG- English
Pages328
Weight1.0 lb
Target AudienceTeens & young adults and Adults
Print SizeStandard Print

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About Lucy Sante

Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years teaching at Bard College.

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