Notes From The Underground

Notes From The Underground - Paperback

$9.45
Sale price  $9.45 Regular price 
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Notes From The Underground

Notes From The Underground - Paperback

by Editorial International , Franklin Darrem , Fyodor Mikhailovich Dostoyevsky
$9.45
Sale price  $9.45 Regular price 

Book Overview

Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel.[citation needed] It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Àpropos of the Wet Snow", and describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator.

ISBN9781512238990
Author Editorial International , Franklin Darrem , Fyodor Mikhailovich Dostoyevsky
PublisherCreatespace Independent Publishing Platform
GenreLiterature
FormatPaperback
PublishedMay 2015
LanguageENG- English
Pages60
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Fyodor Mikhailovich Dostoyevsky

Fyodor Mikhailovich Dostoevsky (11 November 1821- 9 February 1881) is considered one of two greatest prose writers of Russian literature, alongside close contemporary Leo Tolstoy. Dostoevsky's works have had a profound and lasting effect on twentieth-century thought and world literature. Dostoevsky's chief ouevre, mainly novels, explore the human psychology in the disturbing political, social and spiritual context of his 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the anonymous, embittered voice of the Underground Man, is considered by Walter Kaufmann as the "best overture for existentialism ever written."

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