On a Chinese Screen

On a Chinese Screen - Paperback

$13.36
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On a Chinese Screen

On a Chinese Screen - Paperback

by W. Somerset Maugham
$13.36

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On a Chinese Screen - Paperback

Book Overview

I have always noticed a prevalent want of courage, even among persons of superior intelligence and culture, as to imparting their own psychological experiences when those have been of a strange sort. Almost all men are afraid that what they could relate in such wise would find no parallel or response in a listener's internal life, and might be suspected or laughed at. A truthful traveller, who should have seen some extraordinary creature in the likeness of a sea-serpent, would have no fear of mentioning it; but the same traveller, having had some singular presentiment, impulse, vagary of thought, vision (so-called), dream, or other remarkable mental impression, would hesitate considerably before he would own to it. To this reticence I attribute much of the obscurity in which such subjects are involved. We do not habitually communicate our experiences of these subjective things as we do our experiences of objective creation. The consequence is, that the general stock of experience in this regard appears exceptional, and really is so, in respect of being miserably imperfect. In what I am going to relate, I have no intention of setting up, opposing, or supporting, any theory whatever.

ISBN9781985384439
Author W. Somerset Maugham
PublisherCreatespace Independent Publishing Platform
GenreLiterature
FormatPaperback
PublishedSeptember 2018
LanguageENG- English
Pages148
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About W. Somerset Maugham

W. Somerset Maugham (1874-1965) lived in Paris until he was ten. He was educated at King's School, Canterbury, and at Heidelberg University. He afterwards walked the wards of St. Thomas's Hospital with a view to practice in medicine, but the success of his first novel, Liza of Lambeth (1897), won him over to letters. Something of his hospital experience is reflected, however, in the first of his masterpieces, Of Human Bondage (1915), and with The Moon and Sixpence (1919) his reputation as a novelist was assured. His position as one of the most successful playwrights on the London stage was being consolidated simultaneously. His first play, A Man of Honour (1903), was followed by a procession of successes just before and after the First World War. (At one point only Bernard Shaw had more plays running at the same time in London.) His theatre career ended with Sheppey (1933). His fame as a short-story writer began with The Trembling of a Leaf, sub-titled Little Stories of the South Sea Islands, in 1921, after which he published more than ten collections. W. Somerset Maugham's general books are fewer in number. They include travel books, such as On a Chinese Screen (1922) and Don Fernando (1935), essays, criticism, and the self-revealing The Summing Up (1938) and A Writer's Notebook (1949). He became a Companion of Honour in 1954. Robert Calder is professor of English at the University of Saskatchewan.

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