Residual Figuration in Samuel Beckett and Alberto Giacometti - Hardcover

In 1945, Swiss sculptor Alberto Giacometti (1901-66) brought back to Paris six matchboxes filled with the work of his war years: minute figurines that crumbled upon a single touch. Around this time, Irish playwright Samuel Beckett (1906-89) began writing plays, first Eleutheria and then Waiting for Godot. When they came together in 1961 to collaborate on a re-staging of Godot, both had turned their attention to different types of figures: Giacometti to lanky, attenuated figures that seem to erode into their environment, and Beckett to increasingly disembodied characters, such as Henry and Ada in Embers.