Schubert Studies: Problems of Style and Chronology

Schubert Studies: Problems of Style and Chronology - Paperback

$100.98
Sale price  $100.98 Regular price 
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Schubert Studies: Problems of Style and Chronology

Schubert Studies: Problems of Style and Chronology - Paperback

$100.98
Sale price  $100.98 Regular price 

Book Overview

by Eva Badura-Skoda (Author), Peter Branscombe (Author), Eva Badura-Skoda (Editor)

This collection of articles, written by European, American and British scholars, clarifies problems of style and chronology in the music Schubert composed during the last decade of his life. Althought O. E. Deutsch's documentary biography and memoirs set new milestones in Schubert research, they left some problems of chronology unanswered. Some of the essays in this volume examine or re-examine these problems, using different methods. Robert Winter, in the longest essay, proposes numerous re-datings of works composed between 1822 and 1828 which result from a careful examination of types of paper and watermarks. Other contributors point out the limitations of applying stylistic criteria as the basis for the dating of individual works. The articles touch on all areas of Schubert's output, with the emphasis on his songs, theatre music, and orchestral and chamber works. Althought this book will be of primary interest to musicologists, and others interested in Schubert, the essays concerned with song and the theatre will also attract a wider readership.

Number of Pages: 388
Dimensions: 0.86 x 9 x 6 IN
Illustrated: Yes
Publication Date: October 30, 2008
ISBN9780521088725
Author Eva Badura-Skoda , Peter Branscombe
PublisherCambridge University Press
GenreYoung adult
FormatPaperback
PublishedOctober 2008
LanguageENG- English
Pages388
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Eva Badura-Skoda

Paul Badura-Skoda is one of the most important pianists of our time. In 1945, Badura-Skoda entered the Vienna entered the Vienna Conservatory, and two years later won first prize in the Austrian Music Competition and a scholarship which allowed him to study with Edwin Fischer. In 1949, Wilhelm Firtwängler and Herbert von Karajan became aware of Badura-Skoda's outstanding talent, and invited him to play concerts. Practically overnight the young Viennese became a world-famous artist. Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with world's most prestigious orchestras.Eva Badura-Skoda is a musicologist, publishing extensively on the history of the piano and on performance-practice problems of the 18th and 19th centuries.

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