The Bounty: Poems

The Bounty: Poems - Paperback

$15.00
Sale price  $15.00 Regular price 
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The Bounty: Poems

The Bounty: Poems - Paperback

by Derek Walcott
$15.00
Sale price  $15.00 Regular price 

Book Overview

by Derek Walcott (Author)

The Bounty was the first book of poems Derek Walcott published after winning the 1992 Nobel Prize in Literature.

Opening with the title poem, a memorable elegy to the poet's mother, the book features a haunting series of poems that evoke Walcott's native ground, the island of St. Lucia. "For almost forty years his throbbing and relentless lines kept arriving in the English language like tidal waves," Walcott's great contemporary Joseph Brodsky once observed. "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language."

Author Biography

Derek Walcott (1930-2017) was born in St. Lucia, the West Indies, in 1930. His Collected Poems: 1948-1984 was published in 1986, and his subsequent works include a book-length poem, Omeros (1990); a collection of verse, The Bounty (1997); and, in an edition illustrated with his own paintings, the long poem Tiepolo's Hound (2000). His numerous plays include The Haitian Trilogy (2001) and Walker and The Ghost Dance (2002). Walcott received the Queen's Medal for Poetry in 1988 and the Nobel Prize in Literature in 1992.

Number of Pages: 96
Dimensions: 0.33 x 8.03 x 6.13 IN
Publication Date: March 12, 2004
ISBN9780374525378
Author Derek Walcott
PublisherFarrar, Strauss & Giroux-3pl
GenreLiterature
FormatPaperback
PublishedMarch 2004
LanguageENG- English
Pages96
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Derek Walcott

Since 1961, Derek Walcott has been director of the Trinidad Theatre Workshop, as well as its chief playwright. The appearance of his first collection of plays, which has had several printings since 1970, was a literary event. Dream on Monkey Mountain won the Obie Award for a Distinguished Foreign Play, when produced in New York in 1971, and was deemed "a masterpiece" by Edith Oliver in The New Yorker.

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