Traitor's Blade: The Greatcoats Book 1: Your New Favourite Fantasy Series!

Traitor's Blade: The Greatcoats Book 1: Your New Favourite Fantasy Series! - Paperback

$16.99
Sale price  $16.99 Regular price 
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Traitor's Blade: The Greatcoats Book 1: Your New Favourite Fantasy Series!

Traitor's Blade: The Greatcoats Book 1: Your New Favourite Fantasy Series! - Paperback

by Sebastien de Castell
$16.99
Sale price  $16.99 Regular price 

Book Overview

With swashbuckling action that recalls Dumas's Three Musketeers, Sebastien de Castell has created a dynamic new fantasy series. In Traitor's Blade, a disgraced swordsman struggles to redeem himself by protecting a young girl caught in the web of a royal conspiracy.

The King is dead, the Greatcoats have been disbanded, and Falcio Val Mond and his fellow magistrates Kest and Brasti have been reduced to working as bodyguards for a nobleman who refuses to pay them. Things could be worse, of course. Their employer could be lying dead on the floor while they are forced to watch the killer plant evidence framing them for the murder. Oh wait, that's exactly what's happening.

Now a royal conspiracy is about to unfold in the most corrupt city in the world. A carefully orchestrated series of murders that began with the overthrow of an idealistic young king will end with the death of an orphaned girl and the ruin of everything that Falcio, Kest, and Brasti have fought for. But if the trio want to foil the conspiracy, save the girl, and reunite the Greatcoats, they'll have to do it with nothing but the tattered coats on their backs and the swords in their hands, because these days every noble is a tyrant, every knight is a thug, and the only thing you can really trust is a traitor's blade.
ISBN9781782066750
Author Sebastien de Castell
PublisherArcadia Books
GenreLiterature
FormatPaperback
PublishedJune 2015
LanguageENG- English
Pages384
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Sebastien de Castell

Sebastien de Castell had just finished a degree in Archaeology when he started work on his first dig. Four hours later he realised how much he actually hated archaeology and left to pursue a very focused career as a musician, ombudsman, interaction designer, fight choreographer, teacher, project manager, actor and product strategist. His only defence against the charge of unbridled dilettantism is that he genuinely likes doing these things and that, in one way or another, each of these fields plays a role in his writing. He sternly resists the accusation of being a Renaissance Man in the hopes that more people will label him that way.

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