Verdi With a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera

Verdi With a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera - Paperback

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Verdi With a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera

Verdi With a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera - Paperback

$24.00
Sale price  $24.00 Regular price 

Book Overview

by William Berger (Author)

Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear.

If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.

Front Jacket

Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear.
If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.

Back Jacket

Have you ever found yourself wondering who precisely Aida is, and why all the fuss? Are you embarrassed to admit that you've no earthly idea what Rigoletto is about? Perhaps you've wondered about the nineteenth-century political implications of the suicide in Ernani, or why Il trovatore could be the unacknowledged source of rock 'n' roll, or what exactly was the nature of the relationship between Alexandre Dumas and Marie Duplessis, the woman who inspired the role of Violetta in La traviata? Maybe you simply want to know why so many believe the world can be divided into two populations: those "who think that Don Carlos is the Greatest Thing That Has Ever Happened to Art", and everybody else.

Whatever it is you could possibly want to know about Verdi -- from the composer's intense hatred of priests to historical sources for all the operas to a detailed discussion of what to expect from a performance -- it is all in Verdi with a Vengeance. William Berger, inimitable author of Wagner Without Fear, has once again defied all odds by writing a book as indispensable for the newcomer as it is for the expert, a unique book that is as fascinating as it is helpful, as funny as it is smart.

Number of Pages: 512
Dimensions: 1.2 x 8 x 5.2 IN
Publication Date: September 12, 2000
ISBN9780375705182
Author William Berger
PublisherKnopf Doubleday Publishing Group
GenreYoung adult
FormatPaperback
PublishedSeptember 2000
LanguageENG- English
Pages512
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About William Berger

William Berger was born in California and studied Romance languages and music at the University of California at Santa Cruz. He worked for five years at the San Francisco Opera Company, where he acquired for the comapny's recorded music collection and translated for visiting performers. He has taught language at Baruch College in New York City. He contributed to James Skofield's libretto for The Dracula Diaries, an opera with music by Robert Moran, and has just completed the libretto for The Wolf of Gubbio, with the composer Patrick Barnes. Mr Berger currently lives in New York and is at work on a performance piece, Karajan's Wake

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