White Jacket by Herman Melville, Fiction, Classics, Sea Stories

White Jacket by Herman Melville, Fiction, Classics, Sea Stories - Paperback

$27.85
Sale price  $27.85 Regular price 
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White Jacket by Herman Melville, Fiction, Classics, Sea Stories

White Jacket by Herman Melville, Fiction, Classics, Sea Stories - Paperback

$27.85
Sale price  $27.85 Regular price 
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Hardcover $44.59 Paperback $27.85

Book Overview

The mixture of journalism, history and fiction; the presentation of a sequence of striking characters; the metaphor of a sailing ship as the world in miniature-all of these prefigure his next novel, Moby-Dick. The symbolism of the color white, introduced in this novel in the form of the narrator's jacket, is more fully expanded upon in Moby-Dick, where it becomes an all-encompassing "blankness."

Melville's (best known for his classic whaling novel) White Jacket was first published in 1850 and is considered to be a semi-biographical book, written from Melville's own personal experiences while returning home to the Atlantic Coast from the South Seas with the American Navy on a man-o'-war vessel. In the note preceding the novel, Melville states, "In the year 1843 I shipped as 'ordinary seaman' on board of a United States frigate then lying in a harbor of the Pacific Ocean. After remaining in this frigate for more than a year, I was discharged from the service . . ."

ISBN9781598180701
Author Herman Melville
PublisherAegypan
GenreLiterature
FormatPaperback
PublishedNovember 2006
LanguageENG- English
Pages336
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Herman Melville

Herman Melville was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick.Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924. Andrew Delbanco was born in 1952. Educated at Harvard, he has lectured extensively throughout the United States and abroad. He writes frequently on American culture for many national journals and papers, and has co-directed a number of seminars for high school and college teachers at the National Endowment for the Humanities Center and under the sponsorship of the National Endowment for the Humanities. Among his previous works are The Death of Satan, Required Reading, A New England Anthology, and The Puritan Ordeal, which received the 1990 Lionel Trilling Award at Columbia University, where he is Julian Clarence Levi Professor in the Humanities. Mr. Delbanco lives in New York City with his wife and two children. Tom Quirk is the Catherine Paine Middlebush Professor of English at the University of Missouri-Columbia. He is the editor of the Penguin Classics editions of Mark Twain's Tales, Speeches, Essays, and Sketches (1994) and Ambrose Bierce's Tales of Soldiers and Civilians and Other Stories (2000) and co-editor of The Portable American Realism Reader (1997). His other books include Coming to Grips with Huckleberry Finn (1993), Mark Twain: A Study of the Short Fiction (1997) and Nothing Abstract: Investigations in the American Literary Imagination (2001).

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