Bartleby the Scrivener

Bartleby the Scrivener - Paperback

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Bartleby the Scrivener

Bartleby the Scrivener - Paperback

$13.99
Sale price  $13.99 Regular price 

Book Overview

by Herman Melville (Author), Jerome Tiller (Adapted by), David Witt (Illustrator)

Literary scholars have been analyzing Bartleby the Scrivener ever since Putnam's Monthly Magazine published the story in its November and December 1853 issues. And they psycho-analyze Melville the author as well, for he either purely imagined and created Bartleby-or maybe lifted him from a newspaper article he had read-or composited certain teachings of Jesus Christ into a Bartleby person-or symbolized his own emotional reaction to the departure of neighbor, mentor and dear friend Nathaniel Hawthorne, who had recently moved away. Theories have continued to proliferate in literary circles about the origin(s) and constitution of Bartleby, but none have risen above theory, leaving everyday readers free to reflect on the Bartleby puzzle and decide for ourselves just what this amazing character represents, or even, if we are so inclined, to research Melville and guess how Bartleby came to be.

Here are two clues. First, the story originally came with- and sometimes still carries-a subtitle: A Story of Wall Street. Second, when Herman Melville went to work on Bartleby, he was in a bad state of mind. Despite enjoying early success as an author, his masterpiece, Moby Dick, had flopped in 1851. Many critics, mainly American, did not like it, and not many readers anywhere were buying it. His follow- up novel, Pierre, fared even worse in both ways. Melville's future as a financially secure writer was thus in jeopardy, and family members were pressuring him to do better or find a new occupation. Melville was a highly skilled, diligent author who knew the degree of his talent and the huge amount of effort he expended in bringing his novels to completion. With the rejection of his latest work, growing doubts about his talent, and pressure to do better financially, Melville probably developed a huge distaste for the business of publishing, or even the business of business, a distaste perhaps signaled by the Wall Street setting and the story's subtitle. Was the skilled and diligent worker Bartleby standing in for Melville when he rebuffed his Wall Street employer who was telling him to check over his work? Perhaps Melville's Bartleby was simply rebelling against the insensibility of the marketplace, a money-culture oblivious to all except accumulating anything and everything in the easiest way possible. Why wouldn't Melville, a hard-working genius who had just created a masterpiece that was rejected in the marketplace, respond by creating a character who snubs Wall Street, a symbol of the culture that had discounted and rejected him? Seems as possible as anything else.


Number of Pages: 82
Dimensions: 0.22 x 9 x 6 IN
Publication Date: November 07, 2024
ISBN9781939846327
Author Herman Melville
PublisherAdapted Classics
GenreYoung adult
FormatPaperback
PublishedNovember 2024
LanguageENG- English
Pages82
Weight1.0 lb
Target AudienceTeens & young adults and Adults
Print SizeStandard Print

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About Herman Melville

Herman Melville was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick.Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924. Andrew Delbanco was born in 1952. Educated at Harvard, he has lectured extensively throughout the United States and abroad. He writes frequently on American culture for many national journals and papers, and has co-directed a number of seminars for high school and college teachers at the National Endowment for the Humanities Center and under the sponsorship of the National Endowment for the Humanities. Among his previous works are The Death of Satan, Required Reading, A New England Anthology, and The Puritan Ordeal, which received the 1990 Lionel Trilling Award at Columbia University, where he is Julian Clarence Levi Professor in the Humanities. Mr. Delbanco lives in New York City with his wife and two children. Tom Quirk is the Catherine Paine Middlebush Professor of English at the University of Missouri-Columbia. He is the editor of the Penguin Classics editions of Mark Twain's Tales, Speeches, Essays, and Sketches (1994) and Ambrose Bierce's Tales of Soldiers and Civilians and Other Stories (2000) and co-editor of The Portable American Realism Reader (1997). His other books include Coming to Grips with Huckleberry Finn (1993), Mark Twain: A Study of the Short Fiction (1997) and Nothing Abstract: Investigations in the American Literary Imagination (2001).

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