Defining Art, Creating the Canon: Artistic Value in an Era of Doubt

Defining Art, Creating the Canon: Artistic Value in an Era of Doubt - Paperback

$71.80
Sale price  $71.80 Regular price 
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Defining Art, Creating the Canon: Artistic Value in an Era of Doubt

Defining Art, Creating the Canon: Artistic Value in an Era of Doubt - Paperback

by Paul Crowther
$71.80
Sale price  $71.80 Regular price 

Book Overview

What is art; why should we value it; and what allows us to say that one work is better than another?

Traditional answers have emphasized aesthetic form. But this has been challenged by institutional definitions of art and postmodern critique. The idea of distinctively artistic value based on aesthetic criteria is at best doubted, and at worst, rejected. This book, however, champions the traditional notions. It restores the mimetic definition of art on the basis of factors which traditional answers neglect, namely the conceptual link between art's aesthetic value and 'non-exhibited' epistemological and historical relations.

These factors converge on an expanded notion of the artistic image (a notion which can even encompass music, abstract art, and some conceptual idioms). The image's style serves to interpret its subject-matter. If this style is original (in comparative historical terms) it can manifest that special kind of aesthetic unity which we call art. Appreciation of this involves a heightened interaction of capacities (such as imagination and understanding) which are basic to knowledge and personal identity. By negotiating these factors, it is possible to define art and its canonic dimensions objectively, and to show that aforementioned sceptical alternatives are incomplete and self-contradictory.
ISBN9780199698585
Author Paul Crowther
PublisherOUP Oxford
GenreArts and Philosophy
FormatPaperback
PublishedJanuary 2012
LanguageENG- English
Pages276
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Paul Crowther

Paul Crowther is Professor Emeritus of Philosophy at the National University of Ireland, Galway. He was formerly Reader in Aesthetics and the History of Art at Oxford University. Of his many monographs, the most recent is How Pictures Complete Us: The Beautiful, the Sublime, and the Divine.

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