Emily Dickinson: Self-Discipline in the Service of Art

Emily Dickinson: Self-Discipline in the Service of Art - Paperback

$9.67
Sale price  $9.67 Regular price 
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Emily Dickinson: Self-Discipline in the Service of Art

Emily Dickinson: Self-Discipline in the Service of Art - Paperback

by Carl Rollyson , Lisa Paddock
$9.67
Sale price  $9.67 Regular price 

Book Overview

Emily Dickinson exemplified the virtue of self-discipline. She wrote poetry largely for her own pleasure and to exercise and increase her creative talents. Very few of her poems were published during her own lifetime, yet we know that she wrote consistently--perhaps every day--over several decades. Poetry was her way of knowing herself and understanding the world. She could control and express her ideas and emotions through poetry, perhaps the most demanding form of writing.

What does it mean to be a disciplined poet? It means writing and rewriting poems until they seem to be as perfect as possible. Dickinson left behind many drafts of her poems--sometimes including alternate wordings, as if to acknowledge that her writing was still seeking perfection.

Dickinson's discipline was self-imposed. She met no publishing deadlines. She did not write for a patron who sponsored her creative efforts. She did not expect the world to acknowledge her poetry as soon as it was written. Yet now she is considered one of the greatest poets ever to have written in the English language. She valued the labor and the results of a job well done. Emily Dickinson is a model not only for writers, but for anyone who wishes calmly and determinedly to pursue a goal, even without the prospect of an immediate reward.

ISBN9781440115349
Author Carl Rollyson , Lisa Paddock
PublisheriUniverse
GenreBiography
FormatPaperback
PublishedJanuary 2009
LanguageENG- English
Pages64
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Carl Rollyson

Carl Rollyson is professor emeritus of journalism at Baruch College, CUNY. He is author of many biographies, including The Making of Sylvia Plath; Sylvia Plath Day by Day, Volumes 1 & 2; William Faulkner Day by Day; The Last Days of Sylvia Plath; A Real American Character: The Life of Walter Brennan; Hollywood Enigma: Dana Andrews; and Marilyn Monroe: A Life of the Actress, Revised and Updated. He is also coauthor (with Lisa Paddock) of Susan Sontag: The Making of an Icon, Revised and Updated. His reviews of biographies have appeared in the Wall Street Journal, Washington Post, and New Criterion. He also writes a column on biography twice a week for the New York Sun.

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