Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture

Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture - Hardcover

$143.91
Sale price  $143.91 Regular price 
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Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture

Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture - Hardcover

by Tim Harte
$143.91
Sale price  $143.91 Regular price 

Book Overview

The revival of the Olympic games in 1896 and the subsequent rise of modern athletics prompted a new, energetic movement away from more sedentary habits. In Russia, this ethos soon became a key facet of the Bolsheviks' shared vision for the future. In the aftermath of the revolution, glorification of exercise persevered, pointing the way toward a stronger, healthier populace and a vibrant Socialist society.
With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.

ISBN9780299327705
Author Tim Harte
PublisherUniversity of Wisconsin Press
GenreHistory, Sports, and Arts
FormatHardcover
PublishedJuly 2020
LanguageENG- English
Pages328
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Tim Harte

Timothy Harte is a professor of Russian at Bryn Mawr College. He is the author of Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930 and the coeditor of Women in Soviet Film: The Thaw and Post-Thaw Periods.

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