Moby Dick Or, the Whale

Moby Dick Or, the Whale - Paperback

$29.95
Sale price  $29.95 Regular price 
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Moby Dick Or, the Whale

Moby Dick Or, the Whale - Paperback

$29.95
Sale price  $29.95 Regular price 

Book Overview

This trade edition of Moby-Dick is a reduced version of the Arion Press Moby-Dick, which was published in 1979 in a limited edition of 250 copies and has been hailed as a modern masterpiece of bookmaking. It was hand set under the supervision of one of America's finest book designers and printers. The initial letters that begin each chapter were designed especially for this book and christened "Leviathan." The illustrations, of places, creatures, objects or tools, and processes connected with nineteenth-century whaling, are original boxwood engravings by Massachusetts artist Barry Moser. The text of Moby-Dick used in this edition is based on that used in the critical edition of Melville's works published by the Northwestern University Press and the Newberry Library.

This reduced version is smaller in size than the Arion edition and the California deluxe edition, but it includes all of the original pages and illustrations. It is printed in black only throughout, and it is not slipcased.

Back Jacket

The text of Moby-Dick used in this edition is based on the version prepared by Harrison Hayford, Hershel Parker, and G. Thomas Tanselle. Now this magnificent typographic and illustrated edition of the great American novel is available for the general reader and student, for the family library, and for all lovers of beautiful books.

ISBN9780520045484
Author Herman Melville
PublisherUniversity of California Press
GenreLiterature
FormatPaperback
PublishedAugust 1983
LanguageENG- English
Pages608
Weight1.0 lb
Target AudienceTeens & young adults
Print SizeStandard Print

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About Herman Melville

Herman Melville was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick.Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924. Andrew Delbanco was born in 1952. Educated at Harvard, he has lectured extensively throughout the United States and abroad. He writes frequently on American culture for many national journals and papers, and has co-directed a number of seminars for high school and college teachers at the National Endowment for the Humanities Center and under the sponsorship of the National Endowment for the Humanities. Among his previous works are The Death of Satan, Required Reading, A New England Anthology, and The Puritan Ordeal, which received the 1990 Lionel Trilling Award at Columbia University, where he is Julian Clarence Levi Professor in the Humanities. Mr. Delbanco lives in New York City with his wife and two children. Tom Quirk is the Catherine Paine Middlebush Professor of English at the University of Missouri-Columbia. He is the editor of the Penguin Classics editions of Mark Twain's Tales, Speeches, Essays, and Sketches (1994) and Ambrose Bierce's Tales of Soldiers and Civilians and Other Stories (2000) and co-editor of The Portable American Realism Reader (1997). His other books include Coming to Grips with Huckleberry Finn (1993), Mark Twain: A Study of the Short Fiction (1997) and Nothing Abstract: Investigations in the American Literary Imagination (2001).

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