Stories in Stone: Memorialization, the Creation of History and the Role of Preservation

Stories in Stone: Memorialization, the Creation of History and the Role of Preservation - Hardcover

$109.44
Sale price  $109.44 Regular price 
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Stories in Stone: Memorialization, the Creation of History and the Role of Preservation

Stories in Stone: Memorialization, the Creation of History and the Role of Preservation - Hardcover

by Emily Williams
$109.44
Sale price  $109.44 Regular price 

Book Overview

In 1866, Alexander Dunlop, a free black living in Williamsburg Virginia, did three unusual things. He had an audience with the President of the United States, testified in front of the Joint Congressional Committee on Reconstruction, and he purchased a tombstone for his wife, Lucy Ann Dunlop. Purchases of this sort were rarities among Virginia's free black community--and this particular gravestone is made more significant by Dunlop's choice of words, his political advocacy, and the racialized rhetoric of the period. Carved by a pair of Richmond-based carvers, who like many other Southern monument makers, contributed to celebrating and mythologizing the "Lost Cause" in the wake of the Civil War, Lucy Ann's tombstone is a powerful statement of Dunlop's belief in the worth of all men and his hopes for the future. Buried in 1925 by the white members of a church congregation, and again in the 1960s by the Colonial Williamsburg Foundation, the tombstone was excavated in 2003. Analysis, conservation, and long-term interpretation were undertaken by the Foundation in partnership with the community of the First Baptist Church, a historically black church within which Alexander Dunlop was a leader.
"Stories in Stone: Memorialization, the Creation of History and the Role of Preservation" examines the story of the tombstone through a blend of object biography and micro-historical approaches and contrasts it with other memory projects, like the remembrance of the Civil War dead. Data from a regional survey of nineteenth-century cemeteries, historical accounts, literary sources, and the visual arts are woven together to explore the agentive relationships between monuments, their commissioners, their creators and their viewers and the ways in which memory is created and contested and how this impacts the history we learn and preserve.

ISBN9781622739653
Author Emily Williams
PublisherVernon Press
GenreEducation and Arts
FormatHardcover
PublishedMay 2020
LanguageENG- English
Pages286
Weight1.0 lb
Target AudienceAdults
Print SizeStandard Print

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About Emily Williams

Chris Caple is Emeritus Reader in Archaeological Conservation having been director of the Durham University postgraduate programme in artefact conservation 1988-2018. Author of 7 books including the first edition of Conservation Skills: Judgement, Method and Decision Making. He is currently writing up his archaeological excavations at Nevern Castle.Emily Williams is Associate Professor of Archaeological Conservation at Durham University where she directs the MA in the Conservation of Archaeological and Museum Objects. Prior to this she was the Senior Conservator of Archaeological Materials at the Colonial Williamsburg Foundation. She has worked at museums or sites in Australia, Belgium, Bermuda, Egypt, Iraqi Kurdistan, Syria, Tunisia, and Turkey.

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